{"id":8892,"date":"2017-03-27T09:51:21","date_gmt":"2017-03-27T09:51:21","guid":{"rendered":"http:\/\/leiklist.is\/?p=8892"},"modified":"2020-03-02T09:53:24","modified_gmt":"2020-03-02T09:53:24","slug":"avarp-a-althjodlega-leiklistardeginum-27-mars-2017","status":"publish","type":"post","link":"https:\/\/leiklist.is\/en\/avarp-a-althjodlega-leiklistardeginum-27-mars-2017\/","title":{"rendered":"\u00c1v\u00f6rp \u00e1 Al\u00fej\u00f3\u00f0lega leiklistardeginum 27. mars 2017"},"content":{"rendered":"

J\u00e6ja, h\u00e9rna erum vi\u00f0 \u00fe\u00e1 enn einu sinni saman komin a\u00f0 vori fimmt\u00edu og fimm \u00e1rum fr\u00e1 \u00fev\u00ed vi\u00f0 h\u00e9ldum fyrst upp \u00e1 Al\u00fej\u00f3\u00f0lega leiklistardaginn. Bara einn dagur, 24 klukkustundir tileinka\u00f0ar leikh\u00fasinu um allan heim: N\u014d<\/em>-leikh\u00fasinu og Bunraku, Peking\u00f3perunni og Kathakali. Vi\u00f0 fl\u00f6grum \u00e1 milli Grikklands og Nor\u00f0urlanda, \u00ed fa\u00f0mi \u00c6sk\u00edlosar e\u00f0a Ibsen, S\u00f3f\u00f3klesar e\u00f0a Strindbergs. \u00c1 milli Bretlands og \u00cdtal\u00edu, S\u00f6ruh Kane og Pirandello. Og meira a\u00f0 segja \u00ed Frakklandi, \u00fear sem vi\u00f0 erum \u00feessa stundina \u00ed Par\u00eds, heimsborginni sem la\u00f0ar til s\u00edn leikh\u00f3pa \u00fdmissa landa til a\u00f0 hei\u00f0ra leiklistina. Innan \u00feessara 24 klukkustunda f\u00f6rum vi\u00f0 fr\u00e1 Frakklandi til R\u00fasslands, fr\u00e1 Racine og Moliere til Tsj\u00e9khovs. Vi\u00f0 getum jafnvel \u00fevera\u00f0 Atlantshafi\u00f0 alla lei\u00f0 til Kaliforn\u00edu til a\u00f0 lokka unga nemendur til a\u00f0 skapa s\u00e9r nafn \u00ed leikh\u00fasinu.<\/p>\n

Leiklistin \u00a0er lifandi list, – svo lifandi a\u00f0 h\u00fan \u00f6grar t\u00edma og r\u00fami. Flest samt\u00edmaleikrit hafa n\u00e6rst \u00e1 st\u00f3rkostlegum afrekum fyrri alda og elstu s\u00edgildu leikritin ver\u00f0a n\u00fat\u00edmaleg og \u00fer\u00f3ttmikil \u00ed hvert sinn sem \u00feau eru enn einu sinni leikin. \u00a0Leikh\u00fasi\u00f0 er s\u00edkvikt og endurn\u00fdjar sig \u00ed s\u00edfellu og heldur s\u00e9r \u00feannig \u00e1 l\u00edfi.<\/p>\n

Al\u00fej\u00f3\u00f0legi leiklistardagurinn er ekki dagur eins og vi\u00f0 eigum a\u00f0 venjast, – venjulegur dagur. \u00deessi dagur endurvekur aldagamla samfellda s\u00f6gu leiklistarinnar. Mig langar til a\u00f0 \u00fatsk\u00fdra betur me\u00f0 \u00fev\u00ed a\u00f0 leita til leiksk\u00e1ldsins franska, sem var jafn snjall og hann var g\u00e6tinn; Jean Tardieu. \u00deegar hugsa\u00f0 er um r\u00fdmi segir Tardieu a\u00f0 hyggilegt s\u00e9 a\u00f0 spyrja \u201ehver er lengsta lei\u00f0in fr\u00e1 einum sta\u00f0 til annars?\u201c \u00deegar hugsa\u00f0 er um t\u00edma, \u00fe\u00e1 leggur hann til a\u00f0 m\u00e6lt s\u00e9 \u00ed \u201et\u00edundu hlutum sek\u00fandu, t\u00edmann sem tekur a\u00f0 segja or\u00f0i\u00f0 eil\u00edf\u00f0\u201c \u2026 \u00deegar hugsa\u00f0 er um r\u00fdmi og t\u00edma, – r\u00fdmist\u00edma, \u00fe\u00e1 segir hann: \u201e\u00c1\u00f0ur en \u00fe\u00fa sofnar festu hugann vi\u00f0 tvo sta\u00f0i \u00ed r\u00fdminu og reikna\u00f0u \u00fat t\u00edmann sem tekur a\u00f0 fara \u00e1 milli \u00feeirra \u00ed draumi.\u201c<\/p>\n

\u00c9g hef alltaf staldra\u00f0 vi\u00f0 hugtaki\u00f0 \u201e\u00ed draumi\u201c. Engu l\u00edkara en \u00feeir Tardieu og Bob Wilson hafi hist. Vi\u00f0 getum einnig teki\u00f0 saman \u00feessa afm\u00f6rku\u00f0u s\u00e9rst\u00f6\u00f0u Al\u00fej\u00f3\u00f0lega leiklistardagsins me\u00f0 \u00fev\u00ed a\u00f0 vitna \u00ed or\u00f0 Samuel Becketts, sem l\u00e6tur Winnie segja, \u00e1 sinn snaggaralega h\u00e1tt: \u201e\u00d3, hva\u00f0 \u00feetta kemur til me\u00f0 a\u00f0 hafa veri\u00f0 lj\u00fafur dagur.\u201c<\/p>\n

Og \u00fea\u00f0 er \u00f3h\u00e6tt a\u00f0 segja a\u00f0 \u00e9g hafi ekki komi\u00f0 ein m\u00edns li\u00f0s \u00ed \u00feennan UNESCO-sal. Hver einasta pers\u00f3na sem \u00e9g hef leiki\u00f0 er h\u00e9rna me\u00f0 m\u00e9r, pers\u00f3nur sem vir\u00f0ast hverfa \u00feegar tjaldi\u00f0 fellur en hafa grafi\u00f0 sig inn \u00ed mig og eiga \u00fear sitt eigi\u00f0 l\u00edf, vi\u00f0b\u00fanar a\u00f0 sty\u00f0ja vi\u00f0 e\u00f0a tort\u00edma n\u00e6stu pers\u00f3num sem koma \u00ed kj\u00f6lfari\u00f0. Fedra, Orlando, Hedda Gabler, Medea, Merteuil, Blanche DuBois\u2026<\/p>\n

Sem sagt, \u00fe\u00e6r eru allar me\u00f0 m\u00e9r \u00ed f\u00f6r \u00feegar \u00e9g stend h\u00e9r fyrir framan ykkur \u00ed dag, pers\u00f3nurnar sem \u00e9g elska\u00f0i og klappa\u00f0i fyrir sem \u00e1horfandi. Og \u00feess vegna tilheyri \u00e9g \u00f6llum heiminum. \u00c9g er Grikki, Afr\u00edkani, S\u00fdrlendingur, Feneyjab\u00fai, R\u00fassi, Brasil\u00eduma\u00f0ur, Persi, R\u00f3mverji, Japani, New York-b\u00fai, Marseille-b\u00fai, Argent\u00ednuma\u00f0ur, Nor\u00f0ma\u00f0ur, \u00dej\u00f3\u00f0verji, Austurr\u00edkisma\u00f0ur, Englendingur \u2013 \u00e9g er ekta heimsma\u00f0ur vegna m\u00edns eigin leikh\u00f3ps sem lifir innra me\u00f0 m\u00e9r. \u00dev\u00ed \u00fea\u00f0 er h\u00e9r, \u00e1 leiksvi\u00f0inu, \u00ed leikh\u00fasinu sem vi\u00f0 sj\u00e1um sanna heimsv\u00e6\u00f0ingu.<\/p>\n

Al\u00fej\u00f3\u00f0lega leiklistardaginn \u00e1ri\u00f0 1964 tilkynnti Laurence Olivier a\u00f0 loks eftir bar\u00e1ttu \u00ed meir en heila \u00f6ld hafi \u00dej\u00f3\u00f0leikh\u00fas veri\u00f0 stofna\u00f0 \u00ed breska konungsd\u00e6minu. Hann vildi samstundis breyta \u00fev\u00ed \u00ed al\u00fej\u00f3\u00f0legt leikh\u00fas, \u00ed \u00fea\u00f0 minnsta hva\u00f0 verkefnavali\u00f0 var\u00f0a\u00f0i. Hann vissi vel a\u00f0 Shakespeare tilheyr\u00f0i \u00f6llum heiminum.<\/p>\n

\u00deegar \u00e9g skrifa\u00f0i \u00feetta \u00e1varp sko\u00f0a\u00f0i \u00e9g \u00fdmislegt, me\u00f0al annars gladdi \u00fea\u00f0 mig a\u00f0 komast a\u00f0 \u00fev\u00ed, a\u00f0 \u00fea\u00f0 var Jean Cocteau, sem samdi fyrsta \u00e1varp Al\u00fej\u00f3\u00f0lega leiklistardagsins \u00e1ri\u00f0 1962 og algerlega vi\u00f0 h\u00e6fi sem h\u00f6fundur b\u00f3karinnar Umhverfis j\u00f6r\u00f0ina aftur \u00e1 80 d\u00f6gum<\/em>. \u00dear me\u00f0 \u00e1tta\u00f0i \u00e9g mig \u00e1 \u00fev\u00ed a\u00f0 \u00e9g hef fer\u00f0ast um heiminn \u00e1 annan h\u00e1tt. \u00c9g ger\u00f0i \u00fea\u00f0 \u00ed 80 leiks\u00fdningum e\u00f0a \u00ed 80 kvikmyndum. \u00c9g tek kvikmyndir me\u00f0 \u00ed reikninginn vegna \u00feess a\u00f0 \u00e9g a\u00f0greini ekki leik \u00e1 leiksvi\u00f0i og kvikmyndaleik, sem kemur jafnvel sj\u00e1lfri m\u00e9r \u00e1 \u00f3vart \u00ed hvert sinn sem \u00e9g segi \u00feetta, en \u00feannig er \u00fea\u00f0, \u00e9g s\u00e9 engan raunverulegan mun \u00e1 \u00feessu tvennu.<\/p>\n

\u00deegar \u00e9g tala h\u00e9r er \u00e9g ekki \u00e9g sj\u00e1lf, \u00e9g er ekki leikkona, \u00e9g er einungis ein margra sem starfa vi\u00f0 leiklist og stu\u00f0la a\u00f0 \u00fev\u00ed a\u00f0 h\u00fan lifi \u00e1fram. \u00a0Okkur finnst \u00fea\u00f0 skylda okkar og um lei\u00f0 \u00fe\u00f6rf okkar – e\u00f0a me\u00f0 \u00f6\u00f0rum or\u00f0um: Vi\u00f0 l\u00e1tum leikh\u00fasi\u00f0 ekki vera til, \u00fea\u00f0 er fremur leikh\u00fasinu a\u00f0 \u00feakka a\u00f0 vi\u00f0 s\u00e9um til. Leiklistin er svo j\u00f6tunsterk. H\u00fan s\u00fdnir vi\u00f0n\u00e1m og stendur allt af s\u00e9r, styrjaldir, ritsko\u00f0un, f\u00e1t\u00e6kt.<\/p>\n

\u00dea\u00f0 n\u00e6gir a\u00f0 segja \u201eleiksvi\u00f0i\u00f0 er naki\u00f0 svi\u00f0 \u00f3\u00e1kve\u00f0ins t\u00edma\u201c \u2013 allt sem \u00fea\u00f0 \u00fearfnast er leikari. E\u00f0a leikkona. Hva\u00f0 \u00e6tla \u00feau a\u00f0 gera? Hva\u00f0 \u00e6tla \u00feau a\u00f0 segja? \u00c6tla \u00feau a\u00f0 tala? \u00c1horfendur b\u00ed\u00f0a. \u00deeir vita a\u00f0 \u00e1n \u00feeirra er engin leiklist til. Gleymum \u00fev\u00ed aldrei. Ein mannvera er \u00e1horfandi. En vonum samt sem \u00e1\u00f0ur a\u00f0 au\u00f0 s\u00e6ti s\u00e9u ekki m\u00f6rg!<\/p>\n

Svi\u00f0setningar \u00e1 leikritum Ionescos eru alltaf uppseldar og hann s\u00fdnir listr\u00e6nt hugrekki, fallega og opi\u00f0, me\u00f0 setningu gamallar konu \u00ed lok eins leikrita sinna: \u201eJ\u00e1, j\u00e1, deyjum me\u00f0 hei\u00f0ri og s\u00e6md. Deyjum til a\u00f0 helgisagnir ver\u00f0i til um okkur… \u00feeir nefna \u00ed \u00fea\u00f0 minnsta einhverja g\u00f6tuna \u00ed h\u00f6fu\u00f0i\u00f0 \u00e1 okkur\u201c<\/p>\n

Al\u00fej\u00f3\u00f0legi leiklistardagurinn var stofna\u00f0ur fyrir 55 \u00e1rum. \u00c9g er \u00e1ttunda konan sem hefur \u00feegi\u00f0 bo\u00f0 um a\u00f0 flytja \u00e1varp \u2013 \u00fea\u00f0 er a\u00f0 segja ef h\u00e6gt er a\u00f0 kalla \u00feetta \u00e1varp. Fyrirrennarar m\u00ednir (ver\u00f0ur a\u00f0 vera \u00ed karlkyni) t\u00f6lu\u00f0u um leikh\u00fas hugmyndaflugs, frelsis og frumleika til a\u00f0 vekja fegur\u00f0, fj\u00f6lmenningu og leggja fram spurningar sem ekki er h\u00e6gt a\u00f0 svara. \u00c1ri\u00f0 2013, fyrir a\u00f0eins fj\u00f3rum \u00e1rum, sag\u00f0i Dario Fo:\u00a0 \u201eTil a\u00f0 komast \u00fat \u00far kr\u00edsunni v\u00e6ri \u00f3skandi a\u00f0 reynt ver\u00f0i me\u00f0 skipul\u00f6g\u00f0um h\u00e6tti a\u00f0 hrekja okkur \u00e1 brott, ekki s\u00edst unga f\u00f3lki\u00f0 sem vill mennta sig \u00ed leiklistinni; a\u00f0 leiklistarf\u00f3lki ver\u00f0i tv\u00edstra\u00f0 \u00f6\u00f0ru sinni, enda myndi sl\u00edk \u00e1\u00fej\u00e1n \u00e1n efa ver\u00f0a \u00f3l\u00fdsanlegur \u00e1vinningur fyrir listformi\u00f0 og endurn\u00fdja \u00fea\u00f0.\u201d \u00d3l\u00fdsanlegur \u00e1vinningur \u2013 hlj\u00f3mar eins og gott atri\u00f0i sem v\u00e6ri \u00feess vir\u00f0i a\u00f0 setja inn \u00ed \u00f3p\u00f3lit\u00edska dagskr\u00e1 eins og \u00feessa, ekki satt\u2026?<\/p>\n

\u00dear sem \u00e9g er \u00ed Par\u00eds r\u00e9tt fyrir forsetakosningar, langar mig a\u00f0 leggja til a\u00f0 \u00feau sem vir\u00f0ast vilja stj\u00f3rna okkur \u00e6ttu a\u00f0 vera me\u00f0vitu\u00f0 um \u00f3l\u00fdsanlegan \u00e1vinning sem leiklistin hefur \u00ed f\u00f6r me\u00f0 s\u00e9r. En mig langar einnig a\u00f0 undirstrika: Engar nornavei\u00f0ar!<\/p>\n

Leiklistin er \u00ed m\u00ednum huga anna\u00f0, h\u00fan er samtal handan haturs. Vin\u00e1tta milli \u00fej\u00f3\u00f0a \u2013 n\u00fa er \u00e9g ekki viss um hva\u00f0 \u00fea\u00f0 \u00fe\u00fd\u00f0ir, en \u00e9g tr\u00fai \u00e1 samf\u00e9lag, \u00ed vin\u00e1ttu \u00e1horfenda og leikara, \u00ed \u00f3rj\u00fafanlegu bandalagi allra leikh\u00fasa \u2013 leiksk\u00e1lda, \u00fe\u00fd\u00f0enda, b\u00faningah\u00f6funda, leikmyndah\u00f6funda, \u00feeirra sem skapa, \u00feeirra sem flytja og \u00feeirra sem koma \u00ed leikh\u00fasin. Leikh\u00fasi\u00f0 verndar okkur; veitir okkur skj\u00f3l … \u00c9g er viss um a\u00f0 leikh\u00fasi\u00f0 elskar okkur … jafn miki\u00f0 og vi\u00f0 elskum \u00fea\u00f0 …<\/p>\n

\u00c9g man eftir g\u00f6mlum s\u00fdningarstj\u00f3ra sem \u00e9g vann me\u00f0 einu sinni. \u00c1 hverju kv\u00f6ldi, \u00e1\u00f0ur en fortjaldi\u00f0 lyftist, kalla\u00f0i hann fullum h\u00e1lsi: \u201eGefi\u00f0 leiklistinni pl\u00e1ss.\u201c \u00deetta ver\u00f0a m\u00edn lokaor\u00f0 \u00ed kv\u00f6ld.<\/p>\n

Takk fyrir.<\/p>\n

Isabelle Huppert, Frakklandi
\n\u00cdslensk \u00fe\u00fd\u00f0ing: Hafli\u00f0i Arngr\u00edmsson<\/p>\n

Isabelle Huppert er ein st\u00f3rkostlegasta leikkona heims. H\u00fan er f\u00e6dd \u00ed Par\u00eds 16. mars \u00e1ri\u00f0 1953 og stunda\u00f0i n\u00e1m \u00ed Conservatoire d\u2018art Dramatique \u00ed Par\u00eds. H\u00fan hefur leiki\u00f0 \u00ed meir en eitt hundra\u00f0 kvikmyndum og hefur unni\u00f0 \u00f6ll helstu kvikmyndaver\u00f0laun heims a\u00f0 undanskildum Oscars-ver\u00f0laununum sem h\u00fan var tilnefnd til n\u00fa \u00ed vetur sem besta leikkona fyrir leik sinn \u00ed kvikmyndinni Elle. H\u00fan hefur leiki\u00f0 \u00ed \u00f3tal svi\u00f0setningum leikh\u00fasa, ekki einungis \u00ed Frakklandi heldur einnig \u00ed R\u00fasslandi, \u00e1 \u00cdtal\u00edu, Port\u00fagal, Bretlandi, Sviss, \u00ed \u00c1stral\u00edu og Bandar\u00edkjunum og v\u00ed\u00f0ar.<\/em><\/p>\n

 <\/p>\n

\"\"<\/a>

Noomi Reinert
Forma\u00f0ur M\u00c1F 2017<\/p><\/div>\n

\u00c1varp NEATA, nor\u00f0ur evr\u00f3pska \u00e1hugaleikh\u00fasr\u00e1\u00f0sins:<\/strong><\/p>\n

I would like to start by pinpointing a very important fact that often is mistaken in today\u2019s world. It is the meaning of the word amateur. The word is French, origins from the Latin\u00a0amator <\/i>which means\u00a0lover and amare<\/i> which means to love. It is far from the way the word is often wrongfully used as undermining the quality of something being made by amateurs.<\/span><\/p>\n

\u00a0<\/span>Theatre is a living art form, living only when kept alive. It requires its stage, actors and spectators. With this ensemble, the stories are brought to life and transform the spectators within its presence. The theatre gives you the story in actual size unlike the small computer screen or the big screen at the cinema. If the theatrical experience was to be taken away, the population would be robbed of a channel for stories, telling\u2019s and experiences that hit the heart and soul like nothing else. What other art form works itself as deeply into the consciousness of the spectator? But why fuss over such speculations? It seems as if theatre always arises when facing hard times. Most of us have heard or read phrases comparing theatre with the phoenix rising from the ashes, and rightly so, since the theatre has shown itself as being awfully strong. It has truly faced many enemies. The whole world held its breath when technology won its place on our big stage and captivated the theatre audiences. Furthermore, the theatre has survived poverty and has dealt with and overcome times of ignorance. Theatre has beaten censorships and is continuously fighting for it. It seems that, at all times, there is some part of the world that has the flame of theatre burning steadily.<\/span><\/p>\n

Worldwide, theatre has an enormous impact on the globalisation. In the world of theatre, all understand each other wherever situated. And working with amateur theatre, we all poses a heart that speaks the same language. We understand what it takes to create the stories, and we know how to give rise to the productions. We share the ups and downs, and today, on World Theatre day, we can enjoy the day dedicated to celebrate this particular life. Life of theatre.<\/span><\/p>\n

Isabelle Huppert had a funny observation which reminds me of how we travel with theatre. She compared her travelling to the title of Jean Cocteau\u2019s book: \u201cAround the world again in 80 days\u201d and realised, she had gone around the world differently. Instead, she did it in 80 shows or 80 movies.<\/span><\/p>\n

I like this image. And thinking of all the characters that we have seen, been with or portrayed, being from all the different spaces and years and embodied different stories, I would like to once again show gratitude for all the wonderful kind-hearted souls that are working for the amateur theatre, and to remind each of us, that we are here for the same purpose, and should use each other in whatever way possible. May we still celebrate this day long in the future.<\/span><\/p>\n

HAPPY WORLD THEATRE DAY!<\/span><\/p>\n

<\/strong>Noomi Reinert
\nPresident of the Faroese Amateur Theatre Association\u00a0<\/span>
\n<\/span><\/p>","protected":false},"excerpt":{"rendered":"

J\u00e6ja, h\u00e9rna erum vi\u00f0 \u00fe\u00e1 enn einu sinni saman komin a\u00f0 vori fimmt\u00edu og fimm \u00e1rum fr\u00e1 \u00fev\u00ed vi\u00f0 h\u00e9ldum fyrst upp \u00e1 Al\u00fej\u00f3\u00f0lega leiklistardaginn. Bara einn dagur, 24 klukkustundir tileinka\u00f0ar leikh\u00fasinu um allan heim: N\u014d-leikh\u00fasinu og Bunraku, Peking\u00f3perunni og Kathakali. Vi\u00f0 fl\u00f6grum \u00e1 milli Grikklands og Nor\u00f0urlanda, \u00ed fa\u00f0mi \u00c6sk\u00edlosar e\u00f0a Ibsen, S\u00f3f\u00f3klesar e\u00f0a […]<\/p>\n","protected":false},"author":3,"featured_media":8893,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[187,200,213],"tags":[],"class_list":["post-8892","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allar-frir","category-markvert","category-vikupostur","et-has-post-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/posts\/8892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/comments?post=8892"}],"version-history":[{"count":0,"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/posts\/8892\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leiklist.is\/en\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/media?parent=8892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/categories?post=8892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/tags?post=8892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}