{"id":183,"date":"2005-08-12T20:12:56","date_gmt":"2005-08-12T20:12:56","guid":{"rendered":"http:\/\/wp.leiklist.is\/?p=183"},"modified":"2020-03-02T09:53:35","modified_gmt":"2020-03-02T09:53:35","slug":"jr-leikarans","status":"publish","type":"post","link":"https:\/\/leiklist.is\/en\/jr-leikarans\/","title":{"rendered":"J\u00f3lab\u00e6kur leikarans"},"content":{"rendered":"<p>N\u00fa eru allir l\u00edklega b\u00fanir a&eth; f\u00e1 n\u00f3g af m&aelig;r&eth; um &ouml;ll snilldarverkin \u00e1 j\u00f3lab\u00f3kamarka&eth;num. \u00cd tilefni af &thorn;v\u00ed setti &eacute;g saman lista af t\u00edu skemmtilegum b\u00f3kum sem tengjast leiklist \u00e1 einn e&eth;a annan h\u00e1tt. &THORN;etta er ekki listinn yfir t\u00edu \u00f3missandi b&aelig;kur sem allir ver&eth;a a&eth; hafa \u00ed f\u00f3rum s\u00ednum. Hann kemur s\u00ed&eth;ar. H&eacute;r eru fyrst og fremst \u00e1 fer&eth; skemmtilegar b&aelig;kur sem koma a&eth; leikh\u00fasinu \u00far \u00fdmsum \u00e1ttum, stundum n&aelig;sta \u00f3v&aelig;ntum.<\/p>\n<p> Tempest-toast<br \/> Leikf&eacute;lagi&eth; \u00ed Salterton hyggst setja upp Ofvi&eth;ri&eth; eftir Shakespeare og hinn r\u00fa&eth;ustrika&eth;i gjaldkeri f&eacute;lagsins \u00e1kve&eth;ur a&eth; n\u00fa s&eacute; komi&eth; a&eth; &thorn;v\u00ed a&eth; hann f\u00e1i a&eth; spreyta sig \u00e1 fj&ouml;lunum. Aflei&eth;ingar &thorn;ess eru einungis einn &thorn;r\u00e1&eth;urinn \u00ed &thorn;essari makalausu s&ouml;gu eftir kanad\u00edska sagnameistarann Robertson Davies. \u00cdslenskir \u00e1hugaleikh\u00fasmenn sem vilja kynnast br&aelig;&eth;rum og systrum \u00ed K&ouml;n&ouml;du &aelig;ttu a&eth; lesa &thorn;essa b\u00f3k.<\/p>\n<p> Acting up<br \/> &THORN;egar breska leiksk\u00e1ldi&eth; David Hare (Vilji Emmu, Bl\u00e1a herbergi&eth; og Ofanlj\u00f3s) &thorn;reytti frumraun s\u00edna sem leikari \u00ed einleik s\u00ednum, Via Dolorosa, h&eacute;lt hann g\u00f3&eth;u heilli dagb\u00f3k yfir &thorn;essa n\u00fdst\u00e1rlegu reynslu. \u00datkoman er aldeilis fr\u00e1b&aelig;r greining \u00e1 gl\u00edmu leikarans, skrifu&eth; af manni me&eth; inns&aelig;i sprotti&eth; af \u00e1ratuga reynslu af leikh\u00fasinu, en samt \u00ed sporum byrjandans.<\/p>\n<p> Shooting the actor<br \/> Simon Callow kannast f\u00f3lk l\u00edklega helst vi&eth;&nbsp; \u00ed hlutverki gla&eth;beitta hommans sem deyr \u00ed Fj&ouml;gur br\u00fa&eth;kaup og jar&eth;arf&ouml;r. &THORN;essi st\u00f3lpaleikari er l\u00edka snjall rith&ouml;fundur og &thorn;essi b\u00f3k segir fr\u00e1 stormasamri samvinnu hans vi&eth; j\u00fag\u00f3slavneska kvikmyndager&eth;armanninn Dusan Makavejev vi&eth; ger&eth; myndarinnar Manifesto (1988). Fyrir &thorn;\u00e1 sem hafa \u00e1huga \u00e1 kvikmyndaleik e&eth;a -ger&eth; er &thorn;essi inns\u00fdn \u00ed hlutskipti leikarans og muninn \u00e1 svi&eth;s- og kvikmyndaleik \u00f3missandi.<\/p>\n<p> Writing home<br \/> Alan Bennett er me&eth; &ouml;llu \u00f3kynntur h&ouml;fundur h&eacute;r \u00e1 landi, &thorn;annig a&eth; &thorn;i&eth; ver&eth;i&eth; bara a&eth; tr\u00faa m&eacute;r &thorn;egar &eacute;g segi a&eth; hann er alger meistari, hvort heldur sem leiksk\u00e1ld, handritah&ouml;fundur fyrir sj\u00f3nvarp og kvikmyndir, e&eth;a eins og \u00ed &thorn;essri b\u00f3k. H\u00fan inniheldur dagb&aelig;kur, ritger&eth;ir um verk hans og \u00fdmsa samfer&eth;amenn, svo og allskyns \u00f3flokkanleg skrif. Allssta&eth;ar blasir snilldarlegur st\u00edllinn vi&eth;; fyndinn, lj\u00fafs\u00e1r, beittur, en umfram allt enskur.<\/p>\n<p> Year of the King<br \/> Uppf&aelig;rsla Royal Shakespeare Company \u00e1 R\u00edkhar&eth;i III eftir Shakespeare \u00e1ri&eth; 1985 er enn \u00ed minnum h&ouml;f&eth;, einkum vegna frammist&ouml;&eth;u a&eth;alleikarans, Anthony Sher. Hann gaf seinna \u00fat &thorn;essa b\u00f3k sem rekur sk&ouml;punars&ouml;gu s\u00fdningarinnar og t\u00falkunar hans \u00e1 kroppinbaknum illr&aelig;mda. &THORN;etta er \u00e1kaflega fr\u00f3&eth;legt fer&eth;alag um ranns\u00f3knarvinnu, \u00fatlitsp&aelig;lingar, s\u00e1lfr&aelig;&eth;i illskunnar og leikt&aelig;kni. Myndkreytt af h&ouml;fundi, sem er afbur&eth;asnjall teiknari, auk annara h&aelig;fileika. &THORN;eim sem langar a&eth; sj\u00e1 hann leika er bent \u00e1 a&eth; fylgjast grannt me&eth; s\u00e1lfr&aelig;&eth;ingnum \u00ed Shakespeare in love og Disraeli \u00ed Mrs. Brown.<\/p>\n<p> Dagb&aelig;kur Joe Orton<br \/> Meiri dagb&aelig;kur, en n\u00fa af allt &ouml;&eth;ru sau&eth;ah\u00fasi. H&eacute;r segir fr\u00e1 s\u00ed&eth;ustu &aelig;vi\u00e1rum leiksk\u00e1ldsins, fr\u00e1 &thorn;v\u00ed a&eth; hann sl\u00f3 endanlega \u00ed gegn me&eth; Illum feng (Loot) og &thorn;ar til kv&ouml;ldi&eth; \u00e1&eth;ur en hann var myrtur af samb\u00fdlismanni s\u00ednum. Sj\u00f3narhorn Ortons \u00e1 mannl\u00edfi&eth; og menninguna var einstakt og kemur sk\u00fdrt fram \u00ed dagb\u00f3kunum. Endalausar og sm\u00e1smyglislegar l\u00fdsingar hans \u00e1 kynl\u00edfi s\u00ednu gera &thorn;a&eth; hinsvegar a&eth; verkum a&eth; b\u00f3kin er ill yfirfer&eth;ar fyrir pemp\u00edur.<\/p>\n<p> Dagb&aelig;kur Peter Hall<br \/> Ef einhvern langar til a&eth; ver&eth;a leikh\u00fasstj\u00f3ri &aelig;tti vi&eth;komandi fyrst a&eth; lesa &thorn;essa b\u00f3k, sem l\u00fdsir undirb\u00faningi, opnun og fyrstu \u00e1rum breska &thorn;j\u00f3&eth;leikh\u00fassins \u00ed h\u00fasn&aelig;&eth;i s\u00ednu \u00e1 Thamesb&ouml;kkum. L\u00fdsingar \u00e1 str\u00ed&eth;i leikh\u00fasstj\u00f3rans vi&eth; i&eth;na&eth;armenn, kerfiskalla og verkal\u00fd&eth;shetjur eru a&eth; s&ouml;nnu veigamiklar og lei&eth;inlegar en b\u00f3kin er full af skarplegum athugasemdum um leikrit, leikara, leikstj\u00f3rn, t\u00f3nlist og listsk&ouml;pun almennt. Semsagt: gulln\u00e1ma fyrir leikh\u00fasf\u00f3lk.<\/p>\n<p> Threads of time<br \/> Sj\u00e1lfs&aelig;vis&ouml;gubrot Peter Brook eru l\u00fdsing \u00e1 fer&eth;alagi, leit a&eth; visku og sannleika og leit a&eth; lei&eth;um til a&eth; mi&eth;la &thorn;eim sannleika til annara. &THORN;roskasaga eins \u00e1hrifamesta leikh\u00fassmans samt\u00edmans. &THORN;arf a&eth; segja meira?<\/p>\n<p> N\u00edu \u00e1r \u00ed ne&eth;ra<br \/> G&aelig;tum vi&eth; fengi&eth; a&eth; lesa eitthva&eth; \u00cdslenskt? Yfirlit Sveins Einarssonar um \u00e1rin sem hann stj\u00f3rna&eth;i Leikf&eacute;lagi Reykjav\u00edkur er skyldulesning, en &thorn;a&eth; er lj\u00faf skylda, enda Sveinn g\u00f3&eth;ur penni og vi&eth;fangsefni&eth; \u00f3m\u00f3tst&aelig;&eth;ilegt: m\u00f3tunar- og uppgangs\u00e1r atvinnuleikh\u00fassins \u00e1 \u00cdslandi. L&ouml;ngu seinna t\u00f3k Sveinn &thorn;j\u00f3&eth;leikh\u00fasstj\u00f3ra\u00e1r s\u00edn svipu&eth;um t&ouml;kum (Ellefu \u00ed efra) en m&eacute;r finnst s\u00fa fyrri betri. Best er au&eth;vita&eth; a&eth; lesa &thorn;&aelig;r b\u00e1&eth;ar.<\/p>\n<p> Black Snow<br \/> \u00c9g kalla hana upp \u00e1 ensku vegna l&eacute;legrar r\u00fassneskukunn\u00e1ttu, en &thorn;etta er stutt sk\u00e1ldsaga eftir Mika\u00edl B\u00falgakov, &thorn;ann hinn sama og skrifa&eth;i Meistarann og Margar\u00edtu. B\u00falgakov var mikilvirkt leiksk\u00e1ld \u00e1 vegum Listaleikh\u00fassins \u00ed Moskvu og Black Snow er h\u00e1&eth;s\u00e1deila \u00e1 &thorn;\u00e1 merku stofnun og h&ouml;fu&eth;paura hennar, &thorn;\u00e1 Stanislavsk\u00ed og Nem\u00edrovitsj-Dantsj&eacute;nk\u00f3. Br\u00e1&eth;fyndin og \u00f3sv\u00edfin mynd af helstu h&ouml;fundum n\u00fat\u00edma leiklistar.<\/p>\n<p> &THORN;orgeir Tryggvason<\/p>","protected":false},"excerpt":{"rendered":"<p>N\u00fa eru allir l\u00edklega b\u00fanir a&eth; f\u00e1 n\u00f3g af m&aelig;r&eth; um &ouml;ll snilldarverkin \u00e1 j\u00f3lab\u00f3kamarka&eth;num. \u00cd tilefni af &thorn;v\u00ed setti &eacute;g saman lista af t\u00edu skemmtilegum b\u00f3kum sem tengjast leiklist \u00e1 einn e&eth;a annan h\u00e1tt. &THORN;etta er ekki listinn yfir t\u00edu \u00f3missandi b&aelig;kur sem allir ver&eth;a a&eth; hafa \u00ed f\u00f3rum s\u00ednum. Hann kemur s\u00ed&eth;ar. H&eacute;r [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[200],"tags":[],"class_list":["post-183","post","type-post","status-publish","format-standard","hentry","category-markvert","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/posts\/183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/comments?post=183"}],"version-history":[{"count":0,"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/posts\/183\/revisions"}],"wp:attachment":[{"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/media?parent=183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/categories?post=183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leiklist.is\/en\/wp-json\/wp\/v2\/tags?post=183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}